Gold Medal

House on the Coast | Sean Godsell Architects | Photographer: Tom Ferguson

About the Gold Medal

Entries for the 2023 gold medal are now open!


The Gold Medal Tour is supported by the Institute’s National Corporate Partner Bosch. 

BOSCH logo, black text, all caps

The Gold Medal – the Australian Institute of Architects’ highest honour – recognises distinguished service by architects who have designed or executed buildings of high merit, producing work of great distinction that has advanced architecture or endowed the profession in a distinguished manner.


find out more

The 2019 David Oppenheim Award | Parliament of Victoria Members’ Annexe | Peter Elliott Architecture + Urban Design | Vic | Photographer: John Gollings

This Award is made in recognition of most distinguished services by an individual architect.

The 2019 National Award for Public Architecture | HOTA Outdoor Stage | ARM Architecture | Queensland | Photographer: John Gollings

Nominations are considered by the Gold Medal Committee

Joynton Avenue Creative Centre and Precinct | Peter Stutchbury Architecture in association with Design 5 - Architects for City of Sydney | Photographer: Michael Nicholson

Nominations are directed to the CEO and must provide the name, biography, general history of the career and distinguished work of the nominee with evidence of their work.

The 2019 Harry Seidler Award | Dangrove | Tzannes | NSW | Photographer: Ben Guthrie

Each year since 1970 the Gold Medallist has delivered the AS Hook Memorial Address. 

In recognition of a lifelong contribution to architecture, the Australian Institute of Architects has this year awarded its most prestigious honour, the Gold Medal, to Sean Godsell.

The 2020 Daryl Jackson Award for Educational Architecture - Ian Potter Southbank Centre | John Wardle Architects | Photographer: Trevor Main

Previous winners since 1960


gold medal tour

Each year since 1970 the Gold Medallist has delivered the AS Hook Memorial Address. The address was named in member of Alfred Samuel Hook. The address provides insight into the life, work and principles of the Gold Medallist and the state of the profession at that time. The AS Hook Memorial address is traditionally the final presentation of the tour and is held in the Gold Medallist’s home state. 


The Gold Medallist travels to every state and territory, presenting a ‘show and tell’ of their works, experiences and architecture. 

EmAGN Breakfasts

A fringe event is held in each capital city, for members of EmAGN (Emerging Architects and Graduates Network). The breakfast is traditionally held the morning after the Gold Medal presentation. 


Dates for the 2022 Gold Medal Tour with Sean Godsell: 

Canberra: 16 August 2022, National Gallery of Australia – Register Here

Melbourne: 12 September 2022, National Gallery of Victoria – Register Here

Sydney, NSW: 19 September 2022, Art Gallery of New South Wales Register Here

Brisbane, QLD: Thursday, 22 September 2022 – Register Here

Adelaide, SA: Tuesday, 4 October 2022 – Register Here

Perth, WA: Wednesday, 5 October 2022 – Register Here

Hobart, Tas: Tuesday, 11 October 2022 – Register Here

Darwin, NT: Thursday 20 October 2022 – Register Here


The Gold Medal Tour is supported by the Institute’s National Corporate Partner Bosch. 


The 2019 David Oppenheim Award | Parliament of Victoria Members’ Annexe | Peter Elliott Architecture + Urban Design | Vic | Photographer: John Gollings

Who can participate

The Gold Medal is the highest honour the Institute may bestow.

The Award is made in recognition of most distinguished services by an individual architect who has designed or executed structures of high merit or produced work of great distinction to promote or facilitate the knowledge of architecture, or by work which has endowed the profession of architecture in such an exceptional or distinguished way as to merit the award.

The Gold Medal may be awarded to an Australian or foreign architect. Not more than one Gold Medal shall be awarded in any year, and the honour need not necessarily be given each year. 

In exceptional circumstances, the Gold Medal may be awarded to a group of individual architects who  demonstrate that they have collectively met the above criteria.



Judging criteria

Participation requirements / What we look for

Nominations are sought for excellence in the achievement of the following:

  • Excellence in architectural practice, research or education
  • Involvement in Australian Institute of Architects’ activities and/or forums of similar professional bodies
  • Contribution to architecture through leadership within the profession
  • Contribution to community activities such as charity and voluntary work related to the profession

Nominations must be made electronically and provide:

  1. Comprehensive biographical details
  2. Career history
  3. Evidence of distinguished work
  4. Australian Institute of Architects Service
  5. Chapter President’s citation supporting the nomination
  6. High resolution profile photo
It is at the discretion of the nominator to keep the nomination confidential.
The 2019 National Award for Public Architecture | HOTA Outdoor Stage | ARM Architecture | Queensland | Photographer: John Gollings

How to nominate

Joynton Avenue Creative Centre and Precinct | Peter Stutchbury Architecture in association with Design 5 - Architects for City of Sydney | Photographer: Michael Nicholson

The Nomination process

Annually the Institute will call for nominations for the Gold Medal. 

The National Prizes Officer shall keep a record of Gold Medal nominations including the original date received. Nominations will be considered by the Gold Medal Jury and, if considered worthy, will be added to the Gold Medal Register. Once on the register, nominations will be considered each year for five consecutive years, after which the nomination will lapse. Previous nominees may be re-nominated. The Gold Medal Register will be kept confidential. Those nominated are not guaranteed a place on the Register.

To suggest a Gold Medal nominee please contact your local Chapter. 

Gold Medal nominations are submitted to the National Prizes Officer by:

  1. The National President
  2. A National Councilor
  3. A Chapter President
  4. A Chairperson of a National Committee
  5. National Council – signed by the President
  6. Chapter Council – signed by the Chapter President
  7. National Committee – signed by the Committee Chair
  8. An Area Committee – signed by the Chair

Enter now

2022 Gold Medal Submission Form

Nominee's details

Your Details

Your submission

Please upload a Gold Medal Nomination form; including the following supporting material about your nominee:
  1. Comprehensive biographical details
  2. Career history
  3. Evidence of distinguished work
  4. Australian Institute of Architects service
  5. Chapter President's citation supporting the nomination
  6. High resolution profile photo

2022 Gold Medal

Congratulations Sean Godsell

The Gold Medal is the Australian Institute of Architects’ highest honour. It recognizes distinguished service by architects who have designed or executed buildings of high merit, produced work of great distinction resulting in the advancement of architecture, or endowed the profession of architecture in a distinguished manner. The 2022 recipient of the Gold Medal is Sean Godsell.

Godsell’s body of work, publications, exhibitions, and speaking and teaching engagements have been accoladed in Australia. But for a small practice that has completed a relatively small number of dedicated projects, his level of international recognition is unparalleled. Godsell’s work has contributed significantly by expressing, on a global stage, an architectural response to Australia’s unique landscape.

Godsell was born in Melbourne in 1960 and graduated with first-class honours from the University of Melbourne in 1984. He spent much of 1985 travelling in Japan and Europe, and worked in London for Denys Lasdun from 1986 to 1988. In 1989, he returned to Melbourne and, in 1994, formed Godsell Associates Pty Ltd Architects.

He obtained a master’s degree in architecture from RMIT University in 1999, with a thesis titled “The appropriateness of the contemporary Australian dwelling.” His work has been published in many of the world’s leading architectural journals, including The Architectural Review (UK), Architectural Record (US), Domus and Casabella (Italy), A+U and GA Houses (Japan), Detail (Germany), Le Moniteur (France) and Architect (Portugal).

2022 Gold Medal Winner | Sean Godsell | Photographer: Earl Carter

In 2003, Godsell received a citation from the president of the American Institute of Architects for his work for the homeless. His Future Shack prototype was exhibited from May to October 2004 at the Smithsonian Institute’s Cooper Hewitt Design Museum in New York. He has lectured in the US, the UK, China, Japan, India, France, Italy and New Zealand as well as across Australia, and was a keynote speaker at the Alvar Aalto Symposium in Finland in July 2006.

In 2008, Kenneth Frampton nominated Godsell for the inaugural BSI Swiss Architectural Award for architects under the age of 50 and his work was exhibited in both the Milan Triennale and the Venice Biennale in the same year.

In 2013, the influential Spanish publication El Croquis published the monograph Sean Godsell – Tough Subtlety. 
 In 2013 and 2014, he was visiting professor at the IUAV WAVE workshop in Venice, and he delivered the UNESCO Chair Open Lecture in Mantova, Italy. Godsell received the 2016 Detail Prize in Germany for the 2014 MPavilion. In 2018, he received a Papal Silver Medal for his Vatican Chapel on the island of San Giorgio Maggiore in Venice. The same year, through invitation, Godsell spoke in the US at the New Caanan Historical Society, the New York Architectural League and Yale University School of Art and Architecture.

Godsell’s architecture reflects an Australian architect responding to a deeply moral and territorial ethos. It is as unwavering as it is singular. His projects constitute an assembly of intricate detail, free of expectation. His work is at once personal, rigorous and relevant, and each project is envisioned from its specific context.

The essence of this citation is best summed up in the words of Philip Goad and his reference to Godsell’s residential work in the 2019 Thames and Hudson monograph Sean Godsell: Houses:

… the nine houses featured in this book become almost totemic – symbolic or representative of a spatializing of how one might want or hope to live in one of the oldest countries but newest nations in the world. That is a bold statement, but then equally bold is the relentless, headstrong search for perfectible form and space that Godsell continues to undertake with near eremitic persistence … It is not an easy path when following such a singular goal.

Godsell’s work defines an extraordinary commitment to excellence in design, detail and resolution, allowing us to experience the expression of an intense master craftsman. To achieve all of this in his practice timeframe is an extraordinary achievement that should be recognized, lauded and celebrated.

Congratulations, Sean.



Tony Giannone FRAIA (Chair) – National President | Director, Tectvs

Alice Hampson LFRAIA – Director, Alice Hampson Architect

David Karotkin LFRAIA – Managing Director, Carabiner

Camilla Block LFRAIA – Director, Durbach Block Jaggers Architects

John Denton LFRAIA – Director, Denton Corker Marshall

Gold Medallists 1960 - 2022

2022 Sean Godsell

2021 Donald Watson

2020 John Wardle

2019 Hank Koning and Julie Eizenberg

2018 Alec Tzannes

2017 Peter Elliott

2016 Stephen Ashton, Howard Raggatt and Ian McDougall

2015 Peter Stutchbury

2014 Phil Harris and Adrian Welke, Troppo

2013 Peter Wilson

2012 Lawrence Nield

2011 Graeme Gunn

2010 Lindsay and Kerry Clare

2009 Ken Maher

2008 Richard Johnson

2007 Enrico Taglietti

2006 Kerry Hill

2005 James Birrell

2004 Gregory Burgess

2003 Peter Corrigan

2002 Brit Andresen

2001 Keith Eric Cottier

2000 John Neville Morphett

1999 Richard Leplastrier

1998 Gabriel Poole

1997 Roy McCowan Simpson

1996 John Denton, William Corker, Barrington Marshall

1995 no award

1994 Neville Quarry

1993 Kenneth Frank Woolley

1992 Glenn Marcus Murcutt

1991 Donald Campbell Rupert Bailey

1990 Professor Peter McIntyre

1989 Robin Findlay Gibson

1988 Romaldo Giurgola

1987 Daryl Sanders Jackson

1986 Richard Butterworth

1985 Richard Norman Johnson

1984 Philip Sutton Cox

1983 Gilbert Ridgway Nicol and Ross Kingsley Chisholm

1982 Sir John Wallace Overall

1981 Colin Frederick Madigan

1980 John Hamilton Andrews

1979 Harold Bryce Mortlock

1978 Mervyn Henry Parry

1977 Ronald Andrew Gilling

1976 Harry Seidler

1975 Sydney Edward Ancher

1974 Raymond Berg

1973 Jorn Utzon

1972 Edward Herbert Farmer

1971 Frederick Bruce Lucas

1970 Jack Hobbs McConnell

1969 Robin Boyd

1968 Sir Roy Grounds

1967 William Purves Race Godfrey

1966 William Rae Laurie

1965 Sir Osborn McCutcheon

1964 Cobden Parkes

1963 Sir Arthur Stephenson

1962 Joseph Charles Fowell

1961 Louis Laybourne-Smith

1960 Leslie Wilkinson

2021 Gold Medal

Congratulations Don Watson

The 2021 recipient of the Australian Institute of Architects Gold Medal, Donald (Don) Robert Watson, stands as a perfect antidote to much that has been exhausting and difficult in 2020. 

The jury’s unanimous decision recognises Watson’s comprehensive contribution to architecture since he graduated from The University of Queensland (UQ) in 1970. For contemporary Australian architecture the term “Renaissance man” may well be outdated, but it captures Watson’s remarkable prowess across the diverse areas of architectural agency.

As a design architect, Watson’s built work traverses scales, typologies, and public and private commissions. He has received the highest accolades of peer and public review: 26 national and state Institute awards and commendations across eight categories. Initially, Watson’s practice career was nourished by exposure to a wide range of projects: in regional Queensland and Papua New Guinea; with James Birrell and, later, Geoffrey Pie and Associates in Brisbane; and a year in the UK. His arresting op- art treatment of the T. C. Beirne Building facade and supergraphics interiors at Brisbane airport’s international terminal led to an Australia Council study grant. In 1989, after 15 years balancing sole practice, National Trust consultancies and part-time lecturing at UQ, Watson came to national prominence when his Campbell House won the Robin Boyd Award for Residential Architecture. Ever self- effacing, Watson had not formally entered his masterful hybrid design, yet the jury members were so moved that they were “unanimous in their desire not to leave.” That same year, Watson embraced a radically different portfolio, joining the Queensland Department of Public Works where, over the next 15 years, he designed 11 TAFE buildings throughout South East Queensland. Architectural historian Janina Gosseye describes these works as “witty and wise … among the finest examples of postmodernism in Queensland.”

Watson’s expressive handling of these demanding public projects is the result of a forensic reading of the historical architectural languages of his context. As a researcher, Watson has been a seminal figure in our understanding of the constructed world – from the iconic “Queenslander,” to windmills and railway carriages – and has been recognized as Queensland’s foremost architectural historian, receiving the most esteemed awards in the field: the National Trust John Herbert Memorial Award (1995); Life Member, Society of Architectural Historians of Australasia and New Zealand (2008); and the John Oxley Library Fellowship (2012).

His research publications are the foundation for historical studies in the state, and have opened the door for contemporary practitioners to design informed, contextually responsive architecture. Watson’s long association with UQ has also opened doors for a generation of Queensland architects. Even those not taught by him directly owe some part of their design consciousness to Watson’s inspiration. As an educator, he enabled students to discover the strength of their own ideas rather than imposing his own, and he is an inspiring – if exhausting – model to his colleagues. “He made us look really lazy!” quips an ex-colleague affectionately in the mini-film made for the 2018 Institute exhibition Don Watson: A Civil Servant.

His services to the Institute, the profession and the public have been generous and strategic, encompassing heritage advice, public exhibitions and curated lecture series, as well as ongoing advocacy for the preservation of architectural works, archival and built. Watson’s philanthropic promotion of architecture to the broader community has been honored with additional prestigious awards: Life Fellowship of the Australian Institute of Architects (2010) and an Honorary Doctorate from UQ (2013).

Watson likes the idea that buildings carry meanings and are not just abstract. He prefers, in Robert Venturi’s terms, “the difficult whole,” where unity comes from inclusion rather than the easy unity of exclusion. Clearly evident in the rich programmatic layering, complex geometries and expressive detailing of his built work, this approach applies equally to his career. With his polymath’s appetite for involvement in every kind of architectural enterprise (often simultaneously), he has synthesized the entirety of professional considerations into one wonderfully synchronous, humanist endeavour. Except that far from difficult, he has made it look easy, with great humour and humility (and occasional recourse to appropriately colourful Queensland language).

In conferring the 2021 Gold Medal on Donald Watson, the Australian Institute of Architects celebrates a lifetime of insightful, inventive and exemplary practice.

2021 Australian Institute of Architects' Gold Medal winner | Don Watson

2020 Gold Medal

Congratulations John Wardle

John Wardle is an architect’s architect. He is a designer of consummate skill, whose works, from the smallest intricate piece of joinery to complex high-rise buildings receive detailed attention and conscientious formal experiment. His works celebrate both individual craft and the broader production processes of making a building. His works re-position the role of the architect as chief designer in the process of making a building. His works are the outcome of a studio-based collaborative practice.

Since the formation of his Melbourne-based practice in 1986, John Wardle has devoted his energies to maintaining the design ethos of the small office to ever larger institutional and commercial projects across the country.  His early practice was built upon the design of single-family houses such as the Kitamura house, Kew (1995) and Isaacson-Davis house, Balnarring (1997) whose external forms, interiors and joinery rejoiced in the pleasures of creating place, spatial delight and exquisitely resolved detail.  At the same time, Wardle commenced a long and productive association with institutional clients, CSIRO and the Salvation Army, designing, on the one hand, laboratories and research facilities and on the other, low-budget low-income residential accommodation.  As a result, Wardle and his office developed considerable expertise in responding to programs and client bodies of considerable complexity, while at the still delivering projects of considerable architectural design integrity.  

More than three decades of honing skills to address often competing agendas, purposefully and cogently, with the ongoing support and development of a studio-based office of committed staff at every level, has meant that John Wardle has created a practice of national stature and international repute; a practice where design excellence takes the prime position in every single project and at every scale. 

In the last decade, Wardle’s institutional and commercial buildings have reasserted architecture form at the city scale.  The Urban Workshop (2000-07) and the Nigel Peck Centre for Learning and Leadership (2004-2007) in Melbourne, the Kaurna Building (2002-05) in Adelaide, and the Queensland Brain Institute (2004-2007) in Brisbane, and the Jane Foss Russell Building in Sydney (2009) exemplify the national impact of Wardle’s personal project of raising the public status of architectural design.  His public buildings have become exemplars of quality for institutional and commercial patrons.  

Wardle’s domestic projects too are of note, continuing the great Australian tradition of the single-family house as the architect’s laboratory for experiment and innovation.  His iterative design process is an exemplar for students of architecture.  His collaborations with artists and craftspeople comprise a practice of mutual enrichment not only for the built environment but also for each contributing discipline. 

Evidence of consistent peer recognition over more than 30 years reinforces the view of John Wardle as an architect whose contribution to the development of Australian architecture has been distinguished and substantial.  His practice has been the recipient of numerous state Institute awards for architectural excellence in Victoria, South Australia, and Queensland as well as numerous awards at the national level. 

In Victoria, Wardle is a two-time winner of the Victorian Architecture Medal (1997 and 2008), the state’s highest accolade.  He has won the Harold Desbrowe-Annear Award for residential architecture three times (1995, 1997 and 2004), the Sir Osborn McCutcheon Award for commercial architecture twice (1997 and 2006), and the William Wardell Award for public buildings twice (2000 and 2008).  

At a national level, he has twice been the recipient of the Sir Zelman Cowen Award for Public Buildings (2002 and 2006), the Robin Boyd Award for Residential Architecture twice (2012 and 2013) as well as the inaugural Daryl Jackson Award for Educational Architecture (2015).  Such acknowledgement of design excellence demonstrated across a range of building types and geographic locations is further evidence of the deserved peer respect for the dexterity of his formal compositions, his programmatic innovations as well as his engagement with residential, institutional and commercial clients.

John Wardle is an outstanding Australian architect who maintains an exemplary practice. Across the nation he has restored faith in what architects do best – the design of buildings that function well and please hand and eye.  He is a most worthy candidate for the award of the Gold Medal, the highest accolade of the Australian Institute of Architects.

2020 Australian Institute of Architects' Gold Medal winner | John Wardle

Gold medallists 1960-2019